You can’t just go out in your backyard and sketch a spaceship or a scene from the Odyssey. This kind of observational art training enables you to capture a likeness or to render a landscape.īut it doesn’t help you much if you want to paint a mermaid, a Tyrannosaurus rex, a Civil War battle, or a scene from an ancient civilization.įor that, you need a whole different approach. You learn first how to see and then how to paint what you see. Even if you’re painting from a photograph, the challenge is essentially the same. The task is to learn to observe the subject accurately and arrange it into a pleasing design. ……or this plein-air landscape (9 x 12 inches). That’s how I painted this picture of a skull. When you make a still life, a portrait, or a landscape, you generally begin with the subject in front of you. Most methods of art instruction assume that you’re drawing or painting directly from observation. It is intended not only for artists interested in fantasy and science fiction but also for anyone who wants to recreate history, visualize extinct wildlife, or simply tell a story with a picture. The book explores the question of how to paint a realistic picture of something that doesn’t exist. Long answer (adapted from the introduction):īecause it needed to be written. "On Stranger Tides" Next Pirates of the Caribbean.Rocky Mountain College of Art and Design.
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